En-Ar-Co White Rose Service Station, Indianapolis

Continuing the gas station theme from yesterday's post is another Pierre & Wright design from the 1930s. Just like yestderday's post about the Gulf station, we have no working drawings for the station in the Pierre & Wright collection but were able to find photographs in the collection of Fran Schroeder, an architect who worked for the Pierre & Wright firm over many years. We have numerous design drawings for variations of En-Ar-Co White Rose gas stations and service stations, but we didn't know if any of the designs had been built until we came across these photographs.

Does anyone know its location on Meridian Street and if it still stands?

Gulf Gas Station, Indianapolis



The beautiful Art Deco-style gas stations shown in the recent Edward Pierre exhibit Civic Pride Begins in Your Backyard, which is on display at Blackline Studio for Architecture in Fountain Square until the end of the month, led many of us to wonder if they had actually been built. The collection only contains the presentation drawings, which are so lovely yet give us very little information, but not the architectural plans.

Fortunately we also have the collection of architect Fran Schroeder (1908-1988), an architect who worked for the Pierre & Wright firm from 1929 to 1940 before starting his own firm. His collection documents much of the activity of the Pierre & Wright firm through photographs, newspaper clippings, and promotional brochures. This is where we began to make some really interesting discoveries, such as this Gulf gas and service station which stood in Indianapolis. Our records don't include an address, but perhaps you recognize it or its location?



Images: Gulf gas station drawing, ca. 1936  [3-050] Pierre & Wright Architectural Records; Gulf gas station photograph [34-215] Fran Schroeder Architectural Records. Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.

Around the College of Architecture and Planning

Anyone on campus who walks by the College of Architecture and Planning building along McKinley Avenue will likely recognize the metal CAP sign tucked in amongst the landscaping. It's located on the west side of the building, which served as the main entrance before the 1980 addition moved its main entrance to the south side.

It was built in a "Hands-on Steel" class from 1975. We recently uncovered photographs in our CAP Images Collection that were taken during its fabrication. The picture above is how it looks today, February 28, 2012, at 37 years old, and below is how it looked with its first layer of paint back in 1975--yellow!



Pullman Unit Sash Balances

The Pullman Manufacturing Company of Rochester, New York, promised drastic savings through the use of their unit sash balances in this 1920s brochure that can be found in the Drawings + Documents Archives' Trade Catalog Collection. The unit sash balances replaced the need for weights and cords in window construction, therefore eliminating the costs associated with heavy lead weights in the window frame.

It's worth mentioning that the Detroit Towers, built in 1922 and featured in this brochure, is still standing and is listed on the National Register of Historic Places. The brochure guarantees the product for the life of the building, so hopefully the windows at the Detroit Towers continue to enjoy "perfect window control".

A Cinderella Story for Muncie

Congratulations to all of the Ball State University Historic Preservation students who worked on the proposal to save the 20th Century Flats apartment building in Muncie. I know they really worked hard on the project because they spent a lot of time in the Archives researching the building and its surroundings before passionately delivering their proposal for renovation to the city. 

The happy ending to the story arrived last night at the opening reception for the completely renovated building. Thankfully they displayed a monitor with a slide show of photographs documenting the restoration work. It's impossible to overemphasize how bad the conditions were in the building, so this rehab is truly a Cinderella story. You can read more about this fantastic success in the Muncie Star Press.

Civic Pride at the Murphy Building

The Drawings + Documents Archive's exhibit, Civic Pride Begins in Your Backyard, which opened at Blackline Studio for Architecture Friday night drew a surprising number of AIA Edward Pierre award winning architects as well as some proud homeowners, preservationists, and those just interested in architecture. Many thanks to the architects at Blackline Studios for hosting the wonderful event so well and bringing together a diverse crowd. Also, many thanks to those who support the Archive and braved the Super Bowl-sized crowds on a weekend like no other in Indianapolis.

For those who haven't seen it yet, the exhibit is still on display at Blackline Studios in the Murphy Building until March 2nd. And you can read NUVO's review of the exhibit online.

  

Images from the exhibit opening of Civic Pride Begins in Your Backyard, Blackline Studio for Architecture, Fountain Square, Indianapolis, Ind., February 3, 2012.

University Libraries’ Drawings and Documents Archive Exhibit Opens in Indianapolis for Super Bowl Weekend

Edward Pierre: Civic Pride Begins in Your Backyard

Exhibit opening at Blackline Studio for Architecture, February 3, 2012, 6-9pm.

1043 Virginia Avenue, Studio 211, Indianapolis, Indiana

To celebrate the hard work and civic pride that has been taking place around Indianapolis in preparation for this weekend's Super Bowl, Ball State University Libraries’ Drawings and Documents Archive and Blackline Architecture Studios have partnered to present the exhibit Edward Pierre: Civic Pride Begins in Your Backyard, opening at the Blackline Studio in Fountain Square’s Murphy Building, on Friday, February 3, 2012, from 6-9 p.m.

Curated by Carol Street, archivist for architectural records, and Vessel von Ruhtenberg, architectural historian, the exhibit highlights Pierre’s Modernist work throughout Indianapolis with large photographs and renderings from the Drawings and Documents Archive’s collection. Blackline Studios, where the exhibit will be held, is comprised of architects Craig Von Deylen, Scott Perkins, and Craig McCormick, all graduates from Ball State University’s College of Architecture and Planning.

Architect Edward Dienhart Pierre, FAIA, could be called the man who built Indianapolis due to his lifelong career shaping Indiana’s built environment and overwhelming dedication to make the city shine as brightly as possible. It is fitting to honor this extraordinary architect at a time when the city is shining brighter than it has in years, thanks to the Super Bowl coming to town. Much in the vein of today’s extraordinary Cultural Trail and the projects to beautify the city’s near east side, Pierre felt good design should engage the public and he pursued this through a wide array of buildings and civic events that we continue to enjoy today.

If you’ve ever seen Monument Circle lit up at Christmas, shopped in the Sears and Roebuck building on Mass. Avenue, eaten at Yats on College, visited the State Library, experienced a game at Bush Stadium, or driven around Meridian Kessler, Meridian Hills, or Butler Tarkington, you’ve experienced the benefits of having an architect like Edward Pierre in Indianapolis. He also designed, along with architect George Caleb Wright from 1925-1944, and in his own practice from 1945-1960s, the Old Trails Building, Oxford Gables Apartments, numerous schools (including IPS School 78, which is currently being repurposed into a IPD building), fire stations, and many jewel-like modest houses as well as expansive mansions throughout the city.

Of course, not all Pierre buildings are still standing or in use as originally intended. Bush Stadium is undergoing renovation and will be turned into condominiums, the Art Moderne-style Fire Station No. 18 on Washington Street stands vacant, and we just lost the small, but well-designed Tarkington Park Tennis Shelter to the wrecking ball in October. The exhibit will highlight numerous Pierre designs, buildings both lost and loved, and invites visitors to consider a little civic pride for Indiana’s architecture, as well as a thank you for all the hard work everyone has accomplished lately to make the city shine. The exhibit will run through March 1, 2012.

Blackline Studio is a full service architecture and interior design studio for commercial and residential architecture. Recent projects include the Speak Easy incubator space, City Gallery at the Harrison Center for the Arts, and The Hinge in Fountain Square which opens in late 2012.

Ball State University Libraries’ Drawings and Documents Archive preserves the history of Indiana’s built environment and contains over 100,000 original architectural drawings, landscape plans, blueprints, photographs, models, and building remnants. Located in Ball State University’s College of Architecture and Planning, the archive is open to all researchers. You can find thousands of drawings from the Pierre & Wright Architectural Records online in Ball State University Libraries’ Digital Media Repository.

Images: Civic Pride Begins in Your Backyard original drawing, 1950s [3-233]
"Planning the Metropolis of Tomorrow", Indianapolis Star Magazine, February 17, 1957 [3-176.2]
Tarkington Park Tennis Shelter architectural rendering, photostat, 1957, [3-128] 
Pierre & Wright Architectural Records, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.

Wilkinson House interiors

Muncie's Wilkinson House, featured in Indiana Landmarks' book 99 Historic Homes of Indiana, is currently experiencing foreclosure and an upcoming sheriff's sale, but we're looking back at grander times in the house's history. These photographs were taken in 1936 for the architect Leslie Ayres shortly after the house was built and decorated. As you can see, little expense was spared in creating a fashionable home for its inhabitants, Theodore and Edna Wilkinson and their daughter, Helen.

From the custom three-panel circular mirror built-in vanity to the Art Deco piano, this house is a marvelous example of blending high style design and modern materials in the 1930s. The house boasts a meandering key pattern on the switchback staircase and throughout, telephone nook, geometric chrome chandelier, custom bas-relief plasterwork, and custom woodwork in the study, among other interesting features.



Images: Wilkinson house photographs, 1936. (G-93.004) General Collection, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.

Wilkinson House, Muncie, Indiana

Every town has a house that really captivates the imagination. Muncie has numerous houses that fit this category--the Ball family mansions at Minnetrista and the gas-boom Queen Anne-style Victorians downtown. Closer to campus, we have the beautiful houses in the Westwood district. For me, the house that stands apart from them all is the Wilkinson House at 3100 W. University Avenue.

Designed in 1933-34 by Leslie F. Ayres, who regular readers will recognize as a very skilled and prominent architect from Indianapolis, the house is a remarkable example of exciting, art moderne-style architecture in a city known for traditional building styles. It was built for Theodore and Edna Wilkinson, who moved from Chicago to Muncie due to Theodore's job as an investment advisor to the Ball family.

While it has housed decades of family life, bridge games, parties, and weddings on the lawn, the property is currently in foreclosure and is expected to go to Sheriff's sale February 8th. Its unfortunate circumstances are indicative of the greater housing problems facing Muncie since the city lost its manufacturing base. According to the 2010 Census, there are 4600 other vacant housing units available in the city.

The Archive is fortunate to have a set of architectural plans as well as these extraordinary black and white photographs of the house in happier times, soon after the house and interior decorations were completed in 1936. The photographs illustrate the grandeur of the home and the extraordinary attention to detail for every feature of the house, from the front porch railing to the powder room vanity. Tomorrow we'll post the interior photographs. Stay tuned for the unbelievable piano!

Images: Wilkinson house photographs, 1936. (G-93.004) General Collection, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.

A Few Recent Buildings by Johnson & Miller Architects

This is a question for our preservation friends in the Terre Haute, Indiana, area: which of these Johnson & Miller designed schools are still standing?

The advertisement likely dates from 1915-1918 when MacMillan "Mac" Houston Johnson, Jr. and Warren D. Miller were well-established with their firm in Terre Haute. Johnson, who had studied at DePauw University and the Massachusetts Institute of Technology, originally opened his practice in Brazil, Indiana, in 1910. Miller, after his graduation from the architecture program at the University of Pennsylvania, joined him the following year and the firm changed its name to Johnson & Miller. The partners established a second office in Terre Haute's Ball Building on Ohio Street a year later and maintained both offices until 1915. At that time they closed the Brazil branch and moved the Terre Haute branch to 105 S. Seventh Street.

Warren's brother, Ewing H. Miller, also studied architecture at the University of Pennsylvania and joined the firm in 1919 after completing military service. The firm was then known as Johnson, Miller and Miller.

Numerous iterations of the firm's principals were to follow in quick succession due to the untimely deaths of Johnson and Ewing Miller a few months apart in 1923 and the additions of other architects. It became Johnson, Miller, Miller & Yeager (1924-29), Miller & Yeager (1930-45), Miller, Yeager & Vrydaugh (1946), Miller & Vrydaugh (1947-54), and then Miller, Vrydaugh & Miller when Ewing H. Miller's son, Ewing H. Miller II joined the firm. When Vrydaugh left the firm, it became Miller, Miller & Associates (1962-65) until Warren Miller's retirement which resulted in the name Ewing Miller Associates (1966-70). Ewing Miller later started Archonics Corporation, which had offices in Fort Wayne, Terre Haute, and Indianapolis.

Over the years, Johnson & Miller and its successor firms were responsible for designing numerous schools, university buildings, government offices, and businesses in Terre Haute and the surrounding area. Many of the drawings for these projects can be found in the Drawings + Documents Archive's Johnson & Miller Architectural Records Collection.

*An addendum to the post: We've heard that only one of the eight schools featured in this advertisement still stands today, the Elizabeth B. Warren School.

Image: Johnson & Miller advertisement, ca. 1918 (24-113). Johnson & Miller Architectural Records, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.

Happy New Year 1948

Architect Leslie Ayres drew a sketch of the Columbia Club, located prominently on Monument Circle, for this New Year's card to ring in 1948. It was likely commissioned by Pelham Blue Print & Supply, Inc., due to the logo on the back, and intended to advertise their services to architects and engineers. This card can be found in the Fran Schroeder Architectural Records.

Image: New Year's card, 1948. (34-6) Fran E. Schroeder Architectural Records, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.

Holiday Archives

This lovely undated holiday card from architect Francis [Fran] Schroeder is printed on blueprint but handcolored to add depth. A clever use of the negative space makes it look like snow falling on this sweet cottage scene.

Image: Francis Schroeder Christmas Card, n.d. (34-6). Fran E. Schroeder Architectural Records Collection, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.

The Holiday Office Party

While the Holiday Office Party is a tradition that continues on today, thankfully it doesn't usually occur on the morning of Christmas Eve like it did for the Pierre & Wright office in circa 1928. At that time Pierre & Wright, like other architectural firms, operated their office out of the Hume-Mansur Building located at 23 East Ohio Street. The invitation, wittily printed on blueprint, depicts two men moving a stack of drawings to clear out the office and calls for other firms to join their party on December 24th.

Image: Pierre & Wright Christmas Party Invitation, ca. 1928 (34-6). Fran E. Schroeder Architectural Records Collection, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.

Holiday Archives

Images: Leslie F. Ayres Christmas Cards, 1941-47 (34-6). Fran E. Schroeder Architectural Records Collection, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.

Holiday archives

Leslie Ayres (1906-1952) was an accomplished architect and illustrator responsible for many of the beautiful presentation drawings in our collections. If you've appreciated the color renderings in the Pierre and Wright Architectural Records Collection, you've likely seen his work. As an innovative architect, he's also responsible for the fascinating, Art-Moderne T. G. Wilkinson house here in Muncie.

Born in Indianapolis and educated at Arsenal Technical High School, Ayres began working at Pierre and Wright as a delineator while he was still in high school. Winning the 1926 Princeton Prize in Architecture allowed him to study architecture at Princeton University, and he credited his year of study for developing his understanding of modern design.

The holiday cards above represent our earliest cards from Ayres. More will follow. But these represent a significant period in his life--you will notice the first one, from 1936, is signed with his name but there's an addition of Mr. and Mrs. in 1938. Unfortunately, we don't have the card from 1937, the year he and Edna Carolyn Silcox married.

Leslie Ayres seemed to enjoy sketching scenes of Indianapolis that place impressive churches, such as Christ Church Cathedral seen above in the cards from 1936 and 1940, within the larger context of the cityscape for his Christmas card designs. As an ardent Modernist, perhaps he is showing how the traditional and the contemporary can coexist? Tomorrow we'll post Ayres' cards from the years 1941-1947

Images: Leslie F. Ayres Christmas Cards (34-6) Fran E. Schroeder Architectural Records Collection, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.

Holiday Greetings

 Indianapolis architect Fran Schroeder (1908-1988) appears to be working out the details from his ca. 1930 holiday card design  by printing them on different papers and with different inks. The fanciful castle architecture combined with stylized art-deco clouds and a banner declaring "Greetings" that is largely obscured by the structure make for a rather interesting holdiay card from this young architect.

Images: Fran Schroeder Christmas Card designs, ca 1930. Fran E. Schroeder Architectural Records Collection, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.

Holiday Archives

Every year we explore the collections for holiday cards that architects sent to clients, staff, and family. This year we discovered a wonderful collection of cards in the Fran E. Schroeder Architectural Records Collection. Schroeder (1908-1988) worked in the Pierre & Wright architectural firm from 1929-40, then the Curtis-Wright Corporation during World War II. After the war her joined McGuire & Shook before starting his own firm in Indianapolis, known as Fran E. Schroeder and Associates. He also enthusiastically participated in the Indiana Society of Architects, the Architectural Guild of Indianapolis, and the American Institute of Architects. The collection contains holiday cards that he received from fellow architects and firms, such as Ed Pierre, Leslie Ayres, and Pierre & Wright, as well as cards he designed.

To start off our blog celebration of holiday cards is this undated card from Edward Pierre and family with a gatefold design on blueprint. As is often found in the Pierre & Wright collection, Pierre seems to have drawn portraits of himself, his wife Louise, and their daughter caroling at the gate to their house. It exemplifies the creativity and familial joy that can typically be found in Pierre's sketches.

Front:

Center, open:

Back:

Images: Christmas card from Edward Pierre and Family, n.d. (3-117C) Pierre & Wright Architectural Records Collection, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.