The (Often) Interesting Lives of Archival Materials

The route an item takes before it enters into an institutional collection can be incredibly interesting, mysterious, often serendipitous, and, sometimes, baffling. Such is the story of how one very large framed photo collage came to be reunited with its already-donated companions after ten years apart.

The photo collage in question measures five feet long and two feet high, so it’s surprising that it was overlooked when boxes containing the extensive Wright, Porteous, and Lowe collection were packed at the Fort Wayne offices of its subsequent firm, the Bonar Group. But the photo collage did miss the van that brought numerous rolls of architectural drawings, presentation drawings, and two similarly-sized framed photo collages to the Drawings + Documents Archive in the summer of 2003.

Ten years pass and this is when serendipity starts to happen. Over the past ten years, the Bonar Group has been sold to another firm and moves locations. The building sits empty for some period of time until it gets a new owner, RealAmerica Development, LLC, who hires RATIO Architects to renovate it. Architect, Ball State University College of Architecture and Planning alum, and friend of the Drawings + Documents Archive, Ben Ross, is the one who walks through the building and finds, hanging on a wall, the framed photo collage containing photographs of Wright, Porteous, and Lowe architects and building projects. Ben has no idea there are two other companion photographs already in the archives and we have no idea there is a third, missing photograph until he sends an email with the photo, below, asking if we would want it, which is answered with a resounding YES!

The photographs in the two collages that had already been donated represent the principals and building projects during different eras of the firm’s existence. Beginning with Vonnegut & Bohn, Architects, the first photo collage includes black and white photographic portraits of Bernard Vonnegut and Arthur Bohn, and photographs of some of their accomplishments in Indianapolis, namely the Fletcher Trust Company, Southside Turnverein, Athenaeum, Herron School of Art, William H. Block Company, L.S. Ayres & Company buildings, and a busy street scene along Washington Street.

The firm Vonnegut & Bohn operated approximately from 1887 to 1919. Bernard Vonnegut died in 1908, but was succeeded by his son, architect Kurt Vonnegut, Sr., father of novelist Kurt Vonnegut, so the name remained the same. From 1920 to 1944, the firm became known as Vonnegut, Bohn & Mueller, with the addition of engineer O. N. Mueller.

George Caleb Wright joined this firm after his firm with Edward Pierre, known as Pierre & Wright, dissolved in 1944. The new firm became Vonnegut & Wright and then Vonnegut, Wright & Yeager for a short time before becoming Vonnegut, Wright and Porteous, Inc. in 1955.

The second photo collage dates appears to have been assembled sometime around 1950, the only date which appears on the front of the photograph of Kurt Vonnegut, Sr. Projects depicted include earlier work done by their respective previous firms, such as the Indiana State Library, Victory Field (now known as Bush Stadium), Perfect Circle Factory, and Oxford Gables Apartments, by Pierre & Wright, and Indiana Bell Telephone Company, Lyric Theater, and Roosevelt Building, by Vonnegut & Bohn.

The third photo collage, which we just received, dates from after the time of George Caleb Wright’s retirement in 1961. Wright’s son, William Caleb Wright, had joined the firm by then, as well as Alfred John Porteous, and C. Charles Lowe, Jr. The three gentlemen on the left are unidentified, but are likely W. C. Wright, Porteous, and Lowe. One of the architects in the photos has been identified as Robert LaRue. Projects depicted include the construction of the City-County Building before the demolition of the Marion County Courthouse, Lilly facilities, First Christian Church in Columbus, Indiana, (Pierre & Wright were the architects of record for Eliel Saarinen), Indiana University’s Metz Memorial Carillon, Bloomington, Indiana, and yet unidentified residences and office buildings.

The photographs fill in an important part of the history of the firm, and we’re thrilled to have them back with their companion pieces. When you start to think of all the decisive moments that added up to this piece being saved and coming to the right institution—from the person who originally found it and left it behind, to the building managers who left it hanging there and didn’t throw it away, to the new building owners who wanted to do the right thing, and the architect who recognized its research value and made the connection to our archives—it’s really quite astounding and serendipitous that it found its way back to join the others.

Images: Wright, Porteous & Lowe photograph collage, photo by Ben Ross, 2012. Vonnegut & Bohn; Vonnegut & Wright photograph collages, early 1900s-1950s. Wright, Porteous & Lowe Architectural Records, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.

Westside Park, Muncie

Photographs of Westside Park, a municipal park in Muncie, Indiana, from Cuno Kibele's personal scrapbook, ca. 1910s, not long after the park was created. According to the city's website, the park's "historical roots go back to the development of a terminus for the trolley line during the early 1900's. Situated along the banks of the White River, the terrain slopes toward the river and is covered with many mature trees."

The suspension bridge and water park, featured prominently in the photos, are not extant.

Images: Cuno Kibele scrapbook, ca. 1910. Kibele and Garrard Architectiral Records Collection, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.

George Rogers Clark Memorial, Vincennes

This is a 1930s era photograph depicting leveling the concrete foundation for the George Rogers Clark Memorial in Vincennes, Indiana, located along the Wabash River at the southern end of the state. President Franklin Delano Roosevelt later dedicated the completed memorial June 14, 1936.

If your memory of high school history class is a little rusty, George Rogers Clark defeated the British on a cold February day in 1779. According to the National Parks Service website for the memorial:

The British flag would not be raised above Fort Sackville Feb. 25, 1779. At 10 a.m., the garrison surrendered to American Col. George Rogers Clark. His American army, aided by French residents of the Illinois country, had marched through freezing floodwaters to gain this victory. The fort’s capture assured United States claims to the frontier, an area nearly as large as the original 13 states.

Although it depicts something a bit more mundane than capturing a fort, this photograph has us all enthralled with the small details--the engaged audience for the workmen, the process of leveling the concrete, and even the workman's coat hanging on a wooden post in the center of what will later become a beautiful monument. Go ahead and click on it to see it for yourself.