Showing posts with label Wright. Show all posts
Showing posts with label Wright. Show all posts

Monday, June 10, 2013

The (Often) Interesting Lives of Archival Materials

The route an item takes before it enters into an institutional collection can be incredibly interesting, mysterious, often serendipitous, and, sometimes, baffling. Such is the story of how one very large framed photo collage came to be reunited with its already-donated companions after ten years apart.

The photo collage in question measures five feet long and two feet high, so it’s surprising that it was overlooked when boxes containing the extensive Wright, Porteous, and Lowe collection were packed at the Fort Wayne offices of its subsequent firm, the Bonar Group. But the photo collage did miss the van that brought numerous rolls of architectural drawings, presentation drawings, and two similarly-sized framed photo collages to the Drawings + Documents Archive in the summer of 2003.
Ten years pass and this is when serendipity starts to happen. Over the past ten years, the Bonar Group has been sold to another firm and moves locations. The building sits empty for some period of time until it gets a new owner, RealAmerica Development, LLC, who hires RATIO Architects to renovate it. Architect, Ball State University College of Architecture and Planning alum, and friend of the Drawings + Documents Archive, Ben Ross, is the one who walks through the building and finds, hanging on a wall, the framed photo collage containing photographs of Wright, Porteous, and Lowe architects and building projects. Ben has no idea there are two other companion photographs already in the archives and we have no idea there is a third, missing photograph until he sends an email with the photo, below, asking if we would want it, which is answered with a resounding YES!


The photographs in the two collages that had already been donated represent the principals and building projects during different eras of the firm’s existence. Beginning with Vonnegut & Bohn, Architects, the first photo collage includes black and white photographic portraits of Bernard Vonnegut and Arthur Bohn, and photographs of some of their accomplishments in Indianapolis, namely the Fletcher Trust Company, Southside Turnverein, Athenaeum, Herron School of Art, William H. Block Company, L.S. Ayres & Company buildings, and a busy street scene along Washington Street.



The firm Vonnegut & Bohn operated approximately from 1887 to 1919. Bernard Vonnegut died in 1908, but was succeeded by his son, architect Kurt Vonnegut, Sr., father of novelist Kurt Vonnegut, so the name remained the same. From 1920 to 1944, the firm became known as Vonnegut, Bohn & Mueller, with the addition of engineer O. N. Mueller.

George Caleb Wright joined this firm after his firm with Edward Pierre, known as Pierre & Wright, dissolved in 1944. The new firm became Vonnegut & Wright and then Vonnegut, Wright & Yeager for a short time before becoming Vonnegut, Wright and Porteous, Inc. in 1955.
The second photo collage dates appears to have been assembled sometime around 1950, the only date which appears on the front of the photograph of Kurt Vonnegut, Sr. Projects depicted include earlier work done by their respective previous firms, such as the Indiana State Library, Victory Field (now known as Bush Stadium), Perfect Circle Factory, and Oxford Gables Apartments, by Pierre & Wright, and Indiana Bell Telephone Company, Lyric Theater, and Roosevelt Building, by Vonnegut & Bohn.



The third photo collage, which we just received, dates from after the time of George Caleb Wright’s retirement in 1961. Wright’s son, William Caleb Wright, had joined the firm by then, as well as Alfred John Porteous, and C. Charles Lowe, Jr. The three gentlemen on the left are unidentified, but are likely W. C. Wright, Porteous, and Lowe. One of the architects in the photos has been identified as Robert LaRue. Projects depicted include the construction of the City-County Building before the demolition of the Marion County Courthouse, Lilly facilities, First Christian Church in Columbus, Indiana, (Pierre & Wright were the architects of record for Eliel Saarinen), Indiana University’s Metz Memorial Carillon, Bloomington, Indiana, and yet unidentified residences and office buildings.
The photographs fill in an important part of the history of the firm, and we’re thrilled to have them back with their companion pieces. When you start to think of all the decisive moments that added up to this piece being saved and coming to the right institution—from the person who originally found it and left it behind, to the building managers who left it hanging there and didn’t throw it away, to the new building owners who wanted to do the right thing, and the architect who recognized its research value and made the connection to our archives—it’s really quite astounding and serendipitous that it found its way back to join the others.

Images: Wright, Porteous & Lowe photograph collage, photo by Ben Ross, 2012. Vonnegut & Bohn; Vonnegut & Wright photograph collages, early 1900s-1950s. Wright, Porteous & Lowe Architectural Records, Drawings + Documents Archive, Archives and Special Collections, Ball State University Libraries.


Wednesday, August 12, 2009

Soldiers and Sailors Monument undergoes renovation work

At the very heart of the city of Indianapolis stands an impressive limestone monument erected to honor Indiana soldiers and sailors who fought in the Civil War and other wars prior to World War I. It's officially called the State Soldiers and Sailors Monument, but locals tend to refer to it as Monument Circle, or just the Circle. Visually, it's a stunning piece of art and architecture that functions as the central axis from which the original city plat radiates.

Completed in 1901, the structure and sculpture has spent over a century exposed to the harsh climate of Indiana so it's no surprise that it is in need of repairs. The City of Indianapolis is embarking on a $600,000 project to rebuild the leaky observation deck and repair the water damage that has resulted from the leaks. You can read more about the project at http://www.indystar.com/article/20090811/LOCAL/90811008/City+to+renovate+monument+on+Circle

One of the tasks of the project is to install anchors to make it easier to hang Christmas lights on the monument. Every Christmas since 1962, it transforms into a gigantic Christmas "tree", with lights strung from the top to the ground. It's a popular destination in December and a well-loved city symbol that brightens up the often-dreary winter weather.

Who do we have to thank for thinking to decorate the monument? Indianapolis architect Edward D. Pierre (1890-1971) came up with the idea in the 1930s, but due to limitations of the Depression, it wasn't realized until 1945. Pierre began with modest displays on each side of the monument that expanded over time, culminating with the addition of the lights in 1962. Themes of the first display were Peace on Earth, on the north side, Hoosier Christmas on the south, The Night Before Christmas, on the east fountain, and Fairy Land--Little Orphan Annie, on the west fountain.

Pierre was an extraordinary architect who combined is passions for architecture and urban planning into a long and influential career. He was so influential that Indianapolis mayor Richard Lugar eulogized him as being "one of the most significant and imaginative thinkers in regard to the beauty of Indianapolis." The Indiana Society of Architects established the Edward D. Pierre Medal to honor subsequent architects who also embody his spirit of urban renewal through architecture.

The Drawings and Documents Archive chose its Pierre and Wright Architectural Records as the first collection we digitize. Over 2,000 pieces of the collection are currently being photographed and scanned and entered into our online Digital Media Repository (http://libx.bsu.edu/).

We're going to debut the first part of the collection--the amazing 3-D model set of downtown Indianapolis Edward Pierre created in 1953--soon, but I wanted to give you one sneak peak at the collection before it goes live, here is the model (scale is at 1:720) of the State Soldiers and Sailors Monument:



With the dark backdrop it looks remarkably similar to two night scene postcards we have in another collection:



For more information on the State Soldiers and Sailors Monument, visit http://www.nps.gov/history/nr/travel/indianapolis/soldiersandsailors.htm